Renowned actor and Padma Shri awardee Nana Patekar passed away this morning in Goa following a heart attack at the age of 75. After experiencing severe chest pain, he was admitted to Manipal Hospital; despite extensive efforts to save him, he succumbed. His son, Malhar, shared the news. Nana Patekar was one of the most celebrated actors in Hindi and Marathi cinema.
Dr. Shekhar Salkar, Head of the Oncology Department at Manipal Hospital, Goa, stated, “Renowned actor Nana Patekar passed away at his home this morning at 5:20 AM following a severe cardiac arrest. Despite continuous CPR efforts for 45 minutes, he could not be revived. A medico-legal case (MLC) has been registered, and a post-mortem will be conducted.”
Reports indicate that he was found unconscious at his residence in Dona Paula, Goa. He was immediately rushed to a nearby hospital for medical assistance. Doctors made strenuous efforts to save him but were unsuccessful, and he was subsequently declared dead. Family members and doctors have confirmed his passing, and a statement has been issued by the hospital.
One of the country’s most famous actors, Patekar was known for his acting prowess in Hindi and Marathi cinema over a career spanning several decades. He gained immense recognition through films such as *Parinda*, *Krantiveer*, *Ab Tak Chhappan*, and *Welcome*. This is deeply saddening news for Bollywood.
Nana Patekar was among the most prominent actors in Hindi and Marathi cinema. Born on January 1, 1951—originally named Vishwanath Patekar—he was renowned for his powerful and intense performances in Hindi films. He made his Hindi film debut in 1978 with *Gaman* and gradually established a reputation through films like *Salaam Bombay!* and *Parinda*. His performance in *Parinda* was highly acclaimed, marking a pivotal phase in his career.
He delivered memorable performances in films such as *Angaar*, *Tirangaa*, *Krantiveer*, *Agni Sakshi*, *Khamoshi: The Musical*, *Yashwant*, *Ab Tak Chhappan*, *Apaharan*, and *Raajneeti*. His roles were often noted for their intensity and his distinctive style of delivering dialogue. Nana was also deeply associated with Marathi cinema and theatre.
He ventured into filmmaking in 1991 with *Prahaar: The Final Attack*, a film he both directed and starred in. Over the years, he balanced his work between Hindi and Marathi projects. While best known for serious and intense roles, Nana also showcased his comic side in the *Welcome* franchise.
